Artist Alex Lukas’s ‘Written Names Fanzine’ Paperwork Names Crafted in Public Locations with Nails, Tar, Bark and Bubblegum

Charlie was right here; and Joe was right here; and any individual wrote, “Mother.” 

Within the late Nineteen Sixties, folks began hammering their names in nails on the wood railroad ties close to the place artist Alex Lukas, an assistant professor of publishing and printmaking at UC Santa Barbara, grew up in Cambridge, Massachusetts. He walked by the string of names for years, but it surely wasn’t till 2016, upon studying the previous rail ties had been being eliminated, that he returned to {photograph} them. 

The photographs turned the supply materials for the primary problem of “Written Names Fanzine,” Lukas’s publication devoted to documenting and transcribing occurrences of hyper-localized, unsanctioned public title writing. This summer season, he launched his twelfth version, that includes discovered names caught in bubble gum in San Luis Obispo.  

“It’s about an appreciation and investigation into locations the place folks collect, and locations the place individuals are interested by commemorating their time there by writing their title,” mentioned Lukas. Producing the work in his studio, he publishes restricted version zine releases on a Risograph duplicator.  

By 12 points, beginning with the Cambridge nails, Lukas has explored discovered names etched in aspen timber by sheepherders in Sawtooth Nationwide Forest; on deserted bicentennial-themed trolleys in Pennsylvania; in seashore tar on rocks in Carpinteria; in soot on Mammoth Cave’s Gothic Avenue in Kentucky; and carved into cacti at Enchanted Rock in Llano County, Texas; amongst different locations. 

As with the names that zig-zagged throughout a roughly 20-foot part of the prepare tracks, it’s typically troublesome to decipher if the geographically succinct clusters of names are from individuals who knew one another or if they’re signatures of a spontaneous taking place amongst strangers at completely different time limits. With none intervention, Lukas pictures and transcribes the names for his fanzines. 

For one problem, Lukas documented dozens of names spelled out in rocks outdoors Amboy, California, inhabitants 5. “It’s a ghost city however there are lots of of names written in rocks alongside Route 66,” he mentioned. “It was one other iteration of individuals responding to a website. They’re pulling their automobiles over and there’s an engagement with the place and with its materiality.” 

Fanzines, additionally identified simply as zines, are onerous to pigeonhole. They emerged as early because the Thirties amongst science fiction followers. Their roots are casual, outsider and underground. Small run, self-published rags of counterculture, zines had been created by political and social radicals of the Nineteen Sixties and the punk rock circuit of the ’70s — then, breaking into mass tradition as a subversive type of self-publishing within the ’90s. 

“It’s a convention of utilizing the instruments at hand to make publications that both no person else will publish otherwise you don’t need anyone else to publish,” Lukas mentioned. “It’s a historical past of oldsters utilizing photocopiers, proper? It’s the expertise of going to Kinko’s late at evening when the individual working the in a single day shift was all the time some punk who was there to make their very own zines.”

It’s not misplaced on Lukas that he’s following a convention that’s historical past intersects with the rise of the frequent copy store; and the king of copies, Kinkos, began as a print middle in Isla Vista, serving UC Santa Barbara college students. When the photocopier turned an accessible software, a brand new technology of zine makers — together with teenage Lukas within the late ’90s — had been capable of bypass the price of offset printing and its excessive rely minimums, often upwards of 5,000 copies, and launch titles with small version sizes. 

That potential for a low print run is vital. “We (zine makers) are making issues which are for and about subcultures or area of interest pursuits,” mentioned Lukas, who makes about 100 copies of every zine. “As a result of there aren’t a thousand people who find themselves on this. It’s a small neighborhood the place perhaps 100 people need these things, however these people are passionately .” 

Lukas took inspiration for the design of “Written Names” partially from previous nationwide park guides, “printed objects that will help you navigate an area that you’re visiting was the aesthetic cue,” he mentioned. The Risograph, which prints solely two colours at a time, furthers the sense of archival functionalism.     

On the San Francisco Artwork E-book Truthful and on the Los Angeles Artwork E-book Truthful, Lukas has offered “Written Names” amongst publications that span from $5 pamphlets to case certain artist monographs.

“My publication sits someplace in between,” he mentioned. “That concept that it’s simply folded and stapled paper is vital to me however they’re additionally conceptual artwork objects.”  

This text was initially revealed in UCSB’s ‘The Present‘.